Props and Symbols - Eggs
Here are some of the actions, objects and stories we thought to use with eggs.
Objects
Cardboard trays
Wooden eggs
Plastic eggs
Bouncy eggs
Real eggs
Blown eggs
Actions
Throw eggs into your hat - blindfold the hat wearer/thrower - move around
Lay/shit an egg (after catching in hat (and digesting)
Egg races - rolling, spoon - get over the line - shove ha'penny - towards X as destination
Representation and Story
Eggs = people
Eggs = populations (maps and pie charts of migration)
Paint faces on eggs
Paint the face of whoever you choose - family, enemy, neighbour, famous person, politician, fictional character
Painting the face humanises the object (cf. dehumanising of refugees, the other)
Look after the egg, incubate it in hands, pass it around - invests with empathy
The Unknown Egg 9soldier) - large egg without a face
Egg mask on person, draw, write, paint on it
Photograph your egg - passport, facial recognition technology
Gallery of photos of egg faces (the egg registry of clowns)
Gallery of painted eggs
White/brown eggs - separate/mix
Sponsor an egg
Pay extra so it gets in to lifebelt/dinghy
Rewards
Random consequences, sinks, gets stamped on
Plastic covering for eggbox boat
Egg tricks
Egg bag
Paper bag trick
Eggs in pocket and smash
Egg chair
Walking on egg shells (fakir)
A scenario
Clown: Do you want to paint a face on an egg?
Onlooker: Yes
C: Who is it?
O: My aunt
C: Important person?
O: Yes, she has xxx illness/difficulty
C drops egg (the real or fake one): Oh sorry
OR: C places egg very carefully in egg trays some distance away. Another clown throws things and breaks whole tray. Or tray goes on water and sinks.
O: Oh no, I unwittingly sent my aunt to her fate at the hands of capitalism's random cruelty.
Egg Labour - Materialist clowning?
Clowns doing real actions with real objects, but something is odd/wrong. What is wrong can be:
- sequence of actions
- place of object
- size of object
- use of object
- material of object
- behaviour of object
In holidays/festivities, normal (agricultural or urban) labour is suspended for certain days. But labour is intensive in the making and preparing prior to the celebrations. Perhaps lasting all year. This labour is amateur, unpaid, not part of the economy. The events re-enacted in rituals of the festivities sometimes represent normal things, but odd, or reversed, or masked. These actions are also labour, but not economically recompensed, and this labour does not produce 'goods' that have market value. What doe sit produce? Community? Joy? Relief from the burden of meaning?
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